Gothic Realism And The Vampire Sub Cultures - 1512 Words

Since the 18th century, Vampires have ultimately transcended narrative boundaries and genre divides and the Vampire sub-cultures flourish in neo-gothic aesthetic from science fiction and fantasy, romantic and young adult literature and in celluloid. Vampire graphic narratives are finding increased popularity and have since developed into an â€Å"Iconic popular culture phenomenon drawing an obsession and fascination globally†. (Jacqueline, Ng, 2014) So what inspired this new genre of graphic narrative? Ghouls, ghosts and terrifying monsters have been around since the days of old, but the roots of horror graphic narrative begins in the late 18th century with Gothic Literature. To many the word Gothic suggests the supernatural, the sinister. To others it’s an erotic charged nightmare; a representation of undisclosed human desire. The term, Gothic, was first used by Italian Renaissance artists as an insult to describe anything that did not originate from ancient Greece and Rome, a culture them deemed ‘civilised’. To them, it meant barbaric, wild, and dark, dismissing centuries of medieval art and architecture as crude and worthless. (Bloom, Clive, 2010, p. 20) â€Å"I believe the stones of Gothic revival architecture, the terrors painted by Gothic painters, and the words of the great Gothic novelists, amount to nothing less than a secret history of Britain itself during its greatest age of change.† (Graham-Dixon 2014) By the 19th century, â€Å"Gothic† began to signify a coincidentalShow MoreRelatedVictorian Novel9605 Words   |  39 Pagescrucial writers of the period grew up in the earlier years, and had been influenced by the age of English Romanticism. Therefore, although Victorian was modern, materialist, factual and concerned with ‘things as they are’, Romantic, associated with Gothic, melodramatic, idealistic influenced the way novelists wrote in the beginning of the 19th century. I THE DEVELOPMENT OF THE NOVEL It was the Industrial Revolution that allowed not only cheap printing and papermaking but also rapid book distributionRead MoreHorror Genre Dissertation6741 Words   |  27 Pagesfilm-going public, it became necessary for a genre to evolve which depicted issues and event in a metamorphic and less literal way.’(1) They creatively used in set designs and lighting to create a world that was unrealistic, ghastly and so far from realism. Films from this era were Paul Wegener’s The Golem (1920), Robert Weine’s The Cabinet of Dr Caligari (1919) and F.W.Murnau’s Nosferatu (1922). In the 1930’s production was being dominated in Hollywood. The films being created took influence from